A music studio contains more equipment than just microphones and a keyboard. To produce a world class album, you need to get the best sound out of the artist and the music. One person whose job it is to do this is the music recording engineer.
When I think of an engineer, I think of an architect or someone who tinkers with wires and circuits all day. In the music business, they use a different type of engineer. He is called a recording engineer and his job begins as soon as the artist starts to sing.
The area that the recording engineer occupies is called the digital audio workstation, or DAW. This workstation contains all of the technical gadgets an engineer needs to fine tune the sounds he hears. The engineer works with the artist to lay down the best sound they can get. This may involve the artist recording certain parts of the song several times until just the right sound is achieved.
The recording engineer may have additional teammates to collaborate on the performance. They are mostly a part of larger projects with big budgets. Smaller projects use the recording engineer in several roles to compensate. Learning all aspects of music engineering can help you land a job in a smaller studio that needs a multi-tasking engineer.
Let’s move on to the mixing engineer. This person takes the best tracks and mixes those together into one blended sound. He uses the best musical tracks that the recording engineer has produced. The recording engineer can hear how the sounds mesh with each other. If it is less than optimal, the recording engineer is back in the studio with the artist recording new sound tracks. Being a mix engineer is kind of like putting together a performance.
A mastering engineer depends on their ears to enhance their experience. He will listen to see what the sound is really like. Over the years he has developed a talent for hearing tones that should be projected more and voices that need to be stronger.
Every engineer needs an assistant. If you are the assistant engineer, keep your wits about you. This could be the final step towards your big break. An assistant performs the usual duties: gopher for the artist and engineers, working with the recording and mixing agent, and learning as much as they can about the business.
The assistant learns to operate equipment and practice their sense of hearing. Music is important because the instrumental sounds and lyrics create a mood in people. It is a form of artistic expression that everyone can appreciate. I love listening to good music and a crystal clear recorded song is that much better to listen to.
Employers will expect a recording engineer to know something of the equipment when they accept the job. In the music industry, there is no substitute for learning and gaining experience. It used to be a catch-22 of sorts. No one wanted to take a chance on you if you hadn’t had any practical time using the equipment. Then again, it is hard to get the experience if no one will hire you.
Take a course or apply for a degree program that will give you the necessary hands-on training. You will need it to get into the door of a music studio for an interview. Where once this equipment was rarely seen in a classroom, many music schools have all of the resources they need to hold labs where everyone gets to utilize the equipment to do some real work.
Do you desire to be a recording engineer? Learn how to do all the jobs of every engineer in case you will be the only one. One way to know if this is right for you is to apply for an internship and try a variety of jobs.
Windmill Lane is covered in graffiti from fans who have paid pilgrimage from all over the world, many attracted by the studio’s historical connection with U2. Initially the graffiti was interesting but is now a terrible mess and the quality of the art is not as good as it was.
Windmill Lane Studios, also known as the "U2 studio", is a three-storey music recording studio located in Dublin, Ireland. It is located on Windmill Lane, a small street just south of City Quay and the River Liffey and a little north of Pearse Station. It was opened in 1978 by Brian Masterson who is a company director and head engineer. It was originally used to record traditional Irish music until U2 came along and began to record there. Prior to this, Irish rock bands such as Thin Lizzy or The Boomtown Rats carried out their recordings outside Ireland.
It is now boarded up, with the actual studios having moved elsewhere. Nevertheless, the studios are still a popular cult symbol and are regularly visited by tourists, particularly those originally from the United States.
Pulse Recording College recently took ownership of the studios. The college has previously sent students to work at Windmill Lane straight after graduation and these students have collaborated with 50 Cent, Bryan Adams, Moya Brennan, Donovan, Jon Bon Jovi and New Order.
The studio is no longer located on Windmill Lane, although it retains the name. Windmill Lane Studios has not been located on Windmill Lane for quite some time and the current facility was originally Ringsend Studios in Ringsend, Dublin 4. Plans to construct a six-storey office block on the old site led to criticism from local resident groups in early September 2008.
The studio remained empty from 2006 onwards, although reports circulated which linked Van Morrison with purchasing the studio for his own personal use that August. Morrison had previously recorded several albums there, including Back on Top, Magic Time and Pay the Devil. In January 2008, the studio was used to record "The Ballad of Ronnie Drew". In 2009, Pulse College took over Windmill Lane painstakingly renovating the studios which are internationally perceived as being at the heart of the Irish recording industry. The renowned multimedia college has now transformed the facilities with state-of-the-art equipment which encompasses not only 3 fully equipped recording studios, but also a creative hub for Digital Media Training in areas of Music Production, Film Production and Game Analysis and Design.