Category: Arts And Entertainment

Generating Music With a Clavinova

Big Sur in the Morning

Nowadays we’ll talk concerning the Clavinova musical instruments from Yamaha. These are digital pianos that offer you the wealthy and round sound of child grand pianos for about a tenth with the cost. Numerous folks are picking digital pianos as they make a good deal of sense and get up significantly much less room than even an upright piano. They are also much less expensive and less hefty than even an upright piano but they are much richer in tone than a keyboard. And for this cause are much better suggested for people who are in fact learning to play the piano instead of just seeking to rift on the keyboard.

The Clavinova is a pioneering line of digital pianos produced by Yamaha. In styling and in style they look just like acoustic pianos but they are truly state from the art digital instruments that utilizes the leading edge technologies of Yamaha, along with the vast quantity of experience that they have in producing exceptional musical instruments. Because they are electronics units in the identical time they have an immense advantage over acoustic models of pianos specially with regards to modern day characteristics. A Clavinova piano can record songs and can make use of diverse voices, it could even be connected to a laptop or computer making use of a various sorts of connections including a wireless network.

All through the a long time because it’s got launched its digital piano line, Yamaha has been constantly producing improvements on its digital piano goods. One with the latest additions to this line will be the Yamaha CLP 320. Just when you thought the digital piano cannot get any greater, along comes this great new piano design. This really is an enhanced edition of the CLP 220. It has a range of 128 notes, a three level stereo sampling, and a damper. To believe the CLP 320 is just the beginners model on this line. That signifies that you are able to go for even more sophisticated types as you discover the best way to play.

1 from the greatest advantages that a digital piano has over an acoustic 1 could be the cost. The Yamaha CLP 320 price is by far reduced than that of a standard acoustic piano. So you could take pleasure in the exact same type of music at a much reduce value. As soon as you might have seen the Clavinova CLP 320 value tag at a retailer you may well decide to buy one appropriate away.

If you really are a music lover then a digital piano is 1 fantastic merchandise for you.

For more music tutorials visit us and join our friendly composer forum and expand your skill set.

Big Sur in the Morning
digital music recording
Image by Stuck in Customs
Destination Google!
On Monday Feb 1, I’m speaking at Google for their Authors@Google program. The whole thing will be recorded, so I’ll be able to share it back with the world here once it goes up. You can find out more by following @GoogleTalks. And thanks to Mike Wiacek @MikeWiacek who is the head of the Google Photog Club and to Cliff Redeker @mcrsquared for getting the whole thing set up… I am excited!

Later that afternoon, I’m giving a private photography workshop to people at Google back in one of their secret rooms… That should be a lot of fun too. I’ll be going through, in person, what I have in the HDR Tutorial here on the site.

There is a public photowalk and talk on Thursday, Feb 4 at Stanford. We’ll meet at 4 PM at the The Oval, and then meet at 5:30 in one of the auditoriums for the talk.

Private Tour at Hearst Castle
I’m driving up the coast towards Silicon Valley, and I decided to take my time and leisurely drive up Highway 1. I’m doing my best to fill the trip with planned and unplanned adventures.

I spent a big chunk of the day up at Hearst Castle. I was given a private tour whilst guarded by one of LAPD’s finest, who is now a security guard at the castle. I had carte blanche to go anywhere and shoot everything – it was totally amazing! I got into the wine cellar, into the top two spires where there are tiny bedrooms, and all over the place. It was just amazing — I have not had time to process the photos yet… but… you won’t believe it!

Daily Photo – Big Sur in the Morning
5:30 AM. Alarm goes off. It’s always painful. People that say they are "morning people" — I think they are lying. But, when in a beautiful place, I always force myself, military style, to pop out of bed. There are hikes to be made and photos to take!

I stayed at the Ragged Point Inn. My room had a little fireplace and everything (which made it even harder to get out of bed!). After I got downstairs, I started a little hike to get a good vantage of the coast and the sunrise. Of course, there was a fence blocking the best bit, so I jumped over it like Carl Lewis (a much older, whiter, and less jumpy Carl Lewis), and edged along the rocky coast to get a good spot. I forgot to put on my hiking shoes and mistakenly donned my Cole-Haans while in the dark. Big mistake. Those don’t make for good hiking shoes, especially after five minutes of getting soaked in morning dew from the foliage I was ripping my way through.

But, I had on my earphones and was blasting away music… all was good… the sun came up, the clouds were perfect, and I took this photo.

from Trey Ratcliff at www.stuckincustoms.com

The Importance of an Internship in an Audio Recording Studio

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Apprenticeship is part of acquiring the knowledge base and skill-set needed to succeed in your field. Whether you’re learning to cut diamonds or using a digital audio workstation, nothing takes the place of experience, especially under the guidance of a pro.

An internship at a recording studio is an exciting way for a would-be engineer to learn the ropes. Hands-on experience is the best way to learn new techniques, especially in this rapidly advancing field. An internship is a valuable source of tips and tricks learned from studio professionals. A short stint as an intern exposes the student to crafty studio veterans on both ends of the microphone.

Recording Studio Opportunities

Unfortunately, internships at recording studios are a little tough to come by. Studios have a long waiting list of would-be engineers who would love to be an intern. The best chance for you to get on a short list is to attend an audio recording school which includes an internship component into their training.

Audio Recording Schools

Across the nation there are audio engineering schools that are training the audio producers of tomorrow. Audio recording schools not only help you get a hands-on internship, but they also include training using the same equipment that professionals use. You can get a great start on your audio recording career by learning how to use industry standard equipment while working hands-on

Find the Best Audio Recording School for You

Music production schools vary from location to location, so it is important to make sure that you get a program that fits your needs. You should definitely look for a school that offers current equipment as well as an internship component. These two factors play a huge role in getting your audio recording career started on the right foot.

If you find that the audio recording schools in your area are lacking, you should consider branching out into surrounding areas If you’re serious about working as an audio engineer, traveling a little to get the best education would be worth it.

Music production schools explore an exciting and rewarding career in the music industry. Audio engineering school can give you the skills and training you need to succeed in a career you’ll love!

A Visit To Windmill Lane In Dublin
digital music recording
Image by infomatique
[Visit Photo Gallery]

Windmill Lane is covered in graffiti from fans who have paid pilgrimage from all over the world, many attracted by the studio’s historical connection with U2. Initially the graffiti was interesting but is now a terrible mess and the quality of the art is not as good as it was.

Windmill Lane Studios, also known as the "U2 studio", is a three-storey music recording studio located in Dublin, Ireland. It is located on Windmill Lane, a small street just south of City Quay and the River Liffey and a little north of Pearse Station. It was opened in 1978 by Brian Masterson who is a company director and head engineer. It was originally used to record traditional Irish music until U2 came along and began to record there. Prior to this, Irish rock bands such as Thin Lizzy or The Boomtown Rats carried out their recordings outside Ireland.

It is now boarded up, with the actual studios having moved elsewhere. Nevertheless, the studios are still a popular cult symbol and are regularly visited by tourists, particularly those originally from the United States.

Pulse Recording College recently took ownership of the studios. The college has previously sent students to work at Windmill Lane straight after graduation and these students have collaborated with 50 Cent, Bryan Adams, Moya Brennan, Donovan, Jon Bon Jovi and New Order.

The studio is no longer located on Windmill Lane, although it retains the name. Windmill Lane Studios has not been located on Windmill Lane for quite some time and the current facility was originally Ringsend Studios in Ringsend, Dublin 4. Plans to construct a six-storey office block on the old site led to criticism from local resident groups in early September 2008.

The studio remained empty from 2006 onwards, although reports circulated which linked Van Morrison with purchasing the studio for his own personal use that August. Morrison had previously recorded several albums there, including Back on Top, Magic Time and Pay the Devil. In January 2008, the studio was used to record "The Ballad of Ronnie Drew". In 2009, Pulse College took over Windmill Lane painstakingly renovating the studios which are internationally perceived as being at the heart of the Irish recording industry. The renowned multimedia college has now transformed the facilities with state-of-the-art equipment which encompasses not only 3 fully equipped recording studios, but also a creative hub for Digital Media Training in areas of Music Production, Film Production and Game Analysis and Design.

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Picking Out The Hottest Digital Voice Recorders For Yourself.

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Voice data recorders are items that can be used to recorde Sound audio files or music. These Voice messages are taking down in a small memory chip. Digital Voice recorders are applied to record any event such as press meetings, group discussions and music concerts. Digital Sound recorders are popular among business people who wish to record data without any disturbance or interruption.

Digital Sound recorders are also capable of transforming information to a computer. Thye are alittle above a normal tape recorder in many ways, for the most part it gives nice size of storage space that is avaiable on microchip as before was on a cassette or mini cassette.

You can find digital recorders with mp 3 player, professional voice dictation recorders, and also cassette recorders. The features also include

Digital Sound recorders come with various characteristics including the 60-hr digital Voice recorder, 130-hr digital Voice recorder and 282-hr Voice recorder. By using a simple link, the 60-hour digital Sound recording equipment is able to register phone conversations.

The 130 hour digital Sound recording equipment can hold 88files. This producthas recovery support. The most important characteristic of a 282-hour Voice recorder is its tiny size with higher capacity.

The top five brand names of Digital Sound recorders are Olympus DS-330 Digital Voice recorder, Olympus WE-300S Digital Voice recording equipment, Sony ICDSX25VTP Digital Sound recorder, Olympus DM-10 Digital Voice recording equipment, and Panasonic ERUS450 Digital Voice recorder.

features and capabilities of these vary by product. It is best that the user insure their actual characteristics before buying the product. By having one of these sound recorders you can do many things with them as you can see. Also you may have notice that have many different types of brand names which give you many to choice from. You can see that they are very key to have if you are a business person.

Check my other products: Olympus Voice Recorder

Portrait of musician Robert Lazarus
digital music recording
Image by Jewish Historical Society of the Upper Midwest
Lazarus played violin with both the Chicago and Oakland (CA) Symphony Orchestras during the 1920s. After his professional playing career ended, he opened a violin repair shop in downtown St. Paul.

Date: 1918?
Source: 20.4 cm x 14.5 cm
Format: Sepia-toned original photo
Subject: Arts and architecture; Portraits; Lazarus, Robert; Music
Coverage: St. Paul; Ramsey; Minnesota; United States
Local Identifier: P-13
Link to our record: http://reflections.mndigital.org/u?/jhs,403

From the Steinfeldt Photography Collection of the Jewish Historical Society of the Upper Midwest.

Why You Can’t Afford To Cut Corners With Your Music Equipment

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Good musical equipment ensures a high quality sound output. There are many instruments in the market that make music, but not good enough to make great music. This is the reason you cannot afford to cut corners while buying musical equipment. For example, if you are looking for guitareffects pedals, there are many available in the market with different features and qualities. These devices are used to either color a sound or even transform it completely. As there are so many available in the market, it is not easy to choose the right one. You need to consider various aspects before deciding on the final choice. You cannot afford to be sloppy while choosing the gear for the recording as they are the one that create the right atmosphere for the complete recording.

If you want to buy gear for home recording studio, you need to keep all aspects in mind. Instruments for the outdoors do not suit for indoor recordings. If you get the right equipment for your studio at start-up itself, even though it may pinch the pocket, it helps avoid any later confusion and chaos in recording of the music. Good quality equipment from branded companies last years without causing any problem. It may not be the same if you buy any ordinary gear. The sound created by ordinary guitareffects pedals would be far inferior than the one created by the guitareffects pedals from a good company and of good quality. Not only is the sound compromised, but the longevity of the equipment also decreases along with the quality.

To get the best deals on good quality sound equipment, the best possible place to start looking is online websites. There are scores of online shops and hundreds of internet retailers that sell this equipment at highly competitive prices. You can buy any equipment from these sites such as digital recorder, guitareffects pedals, audio recorders, and several other equipment.

Many a times, it is not easy to buy new equipment. But, instead of cutting corners on the quality of the equipment, you can buy used recording devices. In many cases, these used ones have better sound quality than even the latest ones available in the market. These can be bought online through online auctions. These are more efficient and better than even the best ones available currently in market. These offer you not only good quality but also best value for money.

Before getting any kind of equipment such as guitareffects pedals online, you should always check on the reviews and testimonials from the previous customers. This will help you get most reliable and the best equipment available. You can make great music and last longer in the market. Even if you are buying these devices from some regular store, you need to make sure about their quality. This way you can make Sounds Great Music from good quality music instrument without constraining your pocket much.

Get Sounds Great Music deals on good quality musical instruments such as guitareffects pedals, keyboards, guitars, and other studio recording equipment from the online web store of soundsgreatmusic.com.

Army Photography Contest – 2007 – FMWRC – Arts and Crafts – Just The Two Of Us
digital music recording
Image by familymwr
Army Photography Contest – 2007 – FMWRC – Arts and Crafts – Just The Two Of Us

Photo By: SSG Adam Mancini

To learn more about the annual U.S. Army Photography Competition, visit us online at www.armymwr.com

U.S. Army Arts and Crafts History

After World War I the reductions to the Army left the United States with a small force. The War Department faced monumental challenges in preparing for World War II. One of those challenges was soldier morale. Recreational activities for off duty time would be important. The arts and crafts program informally evolved to augment the needs of the War Department.
On January 9, 1941, the Secretary of War, Henry L. Stimson, appointed Frederick H. Osborn, a prominent U.S. businessman and philanthropist, Chairman of the War Department Committee on Education, Recreation and Community Service.
In 1940 and 1941, the United States involvement in World War II was more of sympathy and anticipation than of action. However, many different types of institutions were looking for ways to help the war effort. The Museum of Modern Art in New York was one of these institutions. In April, 1941, the Museum announced a poster competition, “Posters for National Defense.” The directors stated “The Museum feels that in a time of national emergency the artists of a country are as important an asset as men skilled in other fields, and that the nation’s first-rate talent should be utilized by the government for its official design work… Discussions have been held with officials of the Army and the Treasury who have expressed remarkable enthusiasm…”
In May 1941, the Museum exhibited “Britain at War”, a show selected by Sir Kenneth Clark, director of the National Gallery in London. The “Prize-Winning Defense Posters” were exhibited in July through September concurrently with “Britain at War.” The enormous overnight growth of the military force meant mobilization type construction at every camp. Construction was fast; facilities were not fancy; rather drab and depressing.
In 1941, the Fort Custer Army Illustrators, while on strenuous war games maneuvers in Tennessee, documented the exercise The Bulletin of the Museum of Modern Art, Vol. 9, No. 3 (Feb. 1942), described their work. “Results were astonishingly good; they showed serious devotion …to the purpose of depicting the Army scene with unvarnished realism and a remarkable ability to capture this scene from the soldier’s viewpoint. Civilian amateur and professional artists had been transformed into soldier-artists. Reality and straightforward documentation had supplanted (replaced) the old romantic glorification and false dramatization of war and the slick suavity (charm) of commercial drawing.”

“In August of last year, Fort Custer Army Illustrators held an exhibition, the first of its kind in the new Army, at the Camp Service Club. Soldiers who saw the exhibition, many of whom had never been inside an art gallery, enjoyed it thoroughly. Civilian visitors, too, came and admired. The work of the group showed them a new aspect of the Army; there were many phases of Army life they had never seen or heard of before. Newspapers made much of it and, most important, the Army approved. Army officials saw that it was not only authentic material, but that here was a source of enlivenment (vitalization) to the Army and a vivid medium for conveying the Army’s purposes and processes to civilians and soldiers.”
Brigadier General Frederick H. Osborn and War Department leaders were concerned because few soldiers were using the off duty recreation areas that were available. Army commanders recognized that efficiency is directly correlated with morale, and that morale is largely determined from the manner in which an individual spends his own free time. Army morale enhancement through positive off duty recreation programs is critical in combat staging areas.
To encourage soldier use of programs, the facilities drab and uninviting environment had to be improved. A program utilizing talented artists and craftsmen to decorate day rooms, mess halls, recreation halls and other places of general assembly was established by the Facilities Section of Special Services. The purpose was to provide an environment that would reflect the military tradition, accomplishments and the high standard of army life. The fact that this work was to be done by the men themselves had the added benefit of contributing to the esprit de corps (teamwork, or group spirit) of the unit.
The plan was first tested in October of 1941, at Camp Davis, North Carolina. A studio workshop was set up and a group of soldier artists were placed on special duty to design and decorate the facilities. Additionally, evening recreation art classes were scheduled three times a week. A second test was established at Fort Belvoir, Virginia a month later. The success of these programs lead to more installations requesting the program.
After Pearl Harbor was bombed, the Museum of Modern Art appointed Mr. James Soby, to the position of Director of the Armed Service Program on January 15, 1942. The subsequent program became a combination of occupational therapy, exhibitions and morale-sustaining activities.
Through the efforts of Mr. Soby, the museum program included; a display of Fort Custer Army Illustrators work from February through April 5, 1942. The museum also included the work of soldier-photographers in this exhibit. On May 6, 1942, Mr. Soby opened an art sale of works donated by museum members. The sale was to raise funds for the Soldier Art Program of Special Services Division. The bulk of these proceeds were to be used to provide facilities and materials for soldier artists in Army camps throughout the country.
Members of the Museum had responded with paintings, sculptures, watercolors, gouaches, drawings, etchings and lithographs. Hundreds of works were received, including oils by Winslow Homer, Orozco, John Kane, Speicher, Eilshemius, de Chirico; watercolors by Burchfield and Dufy; drawings by Augustus John, Forain and Berman, and prints by Cezanne, Lautrec, Matisse and Bellows. The War Department plan using soldier-artists to decorate and improve buildings and grounds worked. Many artists who had been drafted into the Army volunteered to paint murals in waiting rooms and clubs, to decorate dayrooms, and to landscape grounds. For each artist at work there were a thousand troops who watched. These bystanders clamored to participate, and classes in drawing, painting, sculpture and photography were offered. Larger working space and more instructors were required to meet the growing demand. Civilian art instructors and local communities helped to meet this cultural need, by providing volunteer instruction and facilities.
Some proceeds from the Modern Museum of Art sale were used to print 25,000 booklets called “Interior Design and Soldier Art.” The booklet showed examples of soldier-artist murals that decorated places of general assembly. It was a guide to organizing, planning and executing the soldier-artist program. The balance of the art sale proceeds were used to purchase the initial arts and crafts furnishings for 350 Army installations in the USA.
In November, 1942, General Somervell directed that a group of artists be selected and dispatched to active theaters to paint war scenes with the stipulation that soldier artists would not paint in lieu of military duties.
Aileen Osborn Webb, sister of Brigadier General Frederick H. Osborn, launched the American Crafts Council in 1943. She was an early champion of the Army program.
While soldiers were participating in fixed facilities in the USA, many troops were being shipped overseas to Europe and the Pacific (1942-1945). They had long periods of idleness and waiting in staging areas. At that time the wounded were lying in hospitals, both on land and in ships at sea. The War Department and Red Cross responded by purchasing kits of arts and crafts tools and supplies to distribute to “these restless personnel.” A variety of small “Handicraft Kits” were distributed free of charge. Leathercraft, celluloid etching, knotting and braiding, metal tooling, drawing and clay modeling are examples of the types of kits sent.
In January, 1944, the Interior Design Soldier Artist program was more appropriately named the “Arts and Crafts Section” of Special Services. The mission was “to fulfill the natural human desire to create, provide opportunities for self-expression, serve old skills and develop new ones, and assist the entire recreation program through construction work, publicity, and decoration.”
The National Army Art Contest was planned for the late fall of 1944. In June of 1945, the National Gallery of Art in Washington D.C., for the first time in its history opened its facilities for the exhibition of the soldier art and photography submitted to this contest. The “Infantry Journal, Inc.” printed a small paperback booklet containing 215 photographs of pictures exhibited in the National Gallery of Art.
In August of 1944, the Museum of Modern Art, Armed Forces Program, organized an art center for veterans. Abby Rockefeller, in particular, had a strong interest in this project. Soldiers were invited to sketch, paint, or model under the guidance of skilled artists and craftsmen. Victor d’Amico, who was in charge of the Museum’s Education Department, was quoted in Russell Lynes book, Good Old Modern: An Intimate Portrait of the Museum of Modern Art. “I asked one fellow why he had taken up art and he said, Well, I just came back from destroying everything. I made up my mind that if I ever got out of the Army and out of the war I was never going to destroy another thing in my life, and I decided that art was the thing that I would do.” Another man said to d’Amico, “Art is like a good night’s sleep. You come away refreshed and at peace.”
In late October, 1944, an Arts and Crafts Branch of Special Services Division, Headquarters, European Theater of Operations was established. A versatile program of handcrafts flourished among the Army occupation troops.
The increased interest in crafts, rather than fine arts, at this time lead to a new name for the program: The “Handicrafts Branch.”
In 1945, the War Department published a new manual, “Soldier Handicrafts”, to help implement this new emphasis. The manual contained instructions for setting up crafts facilities, selecting as well as improvising tools and equipment, and basic information on a variety of arts and crafts.
As the Army moved from a combat to a peacetime role, the majority of crafts shops in the United States were equipped with woodworking power machinery for construction of furnishings and objects for personal living. Based on this new trend, in 1946 the program was again renamed, this time as “Manual Arts.”
At the same time, overseas programs were now employing local artists and craftsmen to operate the crafts facilities and instruct in a variety of arts and crafts. These highly skilled, indigenous instructors helped to stimulate the soldiers’ interest in the respective native cultures and artifacts. Thousands of troops overseas were encouraged to record their experiences on film. These photographs provided an invaluable means of communication between troops and their families back home.
When the war ended, the Navy had a firm of architects and draftsmen on contract to design ships. Since there was no longer a need for more ships, they were given a new assignment: To develop a series of instructional guides for arts and crafts. These were called “Hobby Manuals.” The Army was impressed with the quality of the Navy manuals and had them reprinted and adopted for use by Army troops. By 1948, the arts and crafts practiced throughout the Army were so varied and diverse that the program was renamed “Hobby Shops.” The first “Interservice Photography Contest” was held in 1948. Each service is eligible to send two years of their winning entries forward for the bi-annual interservice contest. In 1949, the first All Army Crafts Contest was also held. Once again, it was clear that the program title, “Hobby Shops” was misleading and overlapped into other forms of recreation.
In January, 1951, the program was designated as “The Army Crafts Program.” The program was recognized as an essential Army recreation activity along with sports, libraries, service clubs, soldier shows and soldier music. In the official statement of mission, professional leadership was emphasized to insure a balanced, progressive schedule of arts and crafts would be conducted in well-equipped, attractive facilities on all Army installations.
The program was now defined in terms of a “Basic Seven Program” which included: drawing and painting; ceramics and sculpture; metal work; leathercrafts; model building; photography and woodworking. These programs were to be conducted regularly in facilities known as the “multiple-type crafts shop.” For functional reasons, these facilities were divided into three separate technical areas for woodworking, photography and the arts and crafts.
During the Korean Conflict, the Army Crafts program utilized the personnel and shops in Japan to train soldiers to instruct crafts in Korea.
The mid-1950s saw more soldiers with cars and the need to repair their vehicles was recognized at Fort Carson, Colorado, by the craft director. Soldiers familiar with crafts shops knew that they had tools and so automotive crafts were established. By 1958, the Engineers published an Official Design Guide on Crafts Shops and Auto Crafts Shops. In 1959, the first All Army Art Contest was held. Once more, the Army Crafts Program responded to the needs of soldiers.
In the 1960’s, the war in Vietnam was a new challenge for the Army Crafts Program. The program had three levels of support; fixed facilities, mobile trailers designed as portable photo labs, and once again a “Kit Program.” The kit program originated at Headquarters, Department of Army, and it proved to be very popular with soldiers.
Tom Turner, today a well-known studio potter, was a soldier at Ft. Jackson, South Carolina in the 1960s. In the December 1990 / January 1991 “American Crafts” magazine, Turner, who had been a graduate student in art school when he was drafted, said the program was “a godsend.”
The Army Artist Program was re-initiated in cooperation with the Office of Military History to document the war in Vietnam. Soldier-artists were identified and teams were formed to draw and paint the events of this combat. Exhibitions of these soldier-artist works were produced and toured throughout the USA.
In 1970, the original name of the program, “Arts and Crafts”, was restored. In 1971, the “Arts and Crafts/Skills Development Program” was established for budget presentations and construction projects.
After the Vietnam demobilization, a new emphasis was placed on service to families and children of soldiers. To meet this new challenge in an environment of funding constraints the arts and crafts program began charging fees for classes. More part-time personnel were used to teach formal classes. Additionally, a need for more technical-vocational skills training for military personnel was met by close coordination with Army Education Programs. Army arts and crafts directors worked with soldiers during “Project Transition” to develop soldier skills for new careers in the public sector.
The main challenge in the 1980s and 90s was, and is, to become “self-sustaining.” Directors have been forced to find more ways to generate increased revenue to help defray the loss of appropriated funds and to cover the non-appropriated funds expenses of the program. Programs have added and increased emphasis on services such as, picture framing, gallery sales, engraving and trophy sales, etc… New programs such as multi-media computer graphics appeal to customers of the 1990’s.
The Gulf War presented the Army with some familiar challenges such as personnel off duty time in staging areas. Department of Army volunteer civilian recreation specialists were sent to Saudi Arabia in January, 1991, to organize recreation programs. Arts and crafts supplies were sent to the theater. An Army Humor Cartoon Contest was conducted for the soldiers in the Gulf, and arts and crafts programs were set up to meet soldier interests.
The increased operations tempo of the ‘90’s Army has once again placed emphasis on meeting the “recreation needs of deployed soldiers.” Arts and crafts activities and a variety of programs are assets commanders must have to meet the deployment challenges of these very different scenarios.
The Army arts and crafts program, no matter what it has been titled, has made some unique contributions for the military and our society in general. Army arts and crafts does not fit the narrow definition of drawing and painting or making ceramics, but the much larger sense of arts and crafts. It is painting and drawing. It also encompasses:
* all forms of design. (fabric, clothes, household appliances, dishes, vases, houses, automobiles, landscapes, computers, copy machines, desks, industrial machines, weapon systems, air crafts, roads, etc…)
* applied technology (photography, graphics, woodworking, sculpture, metal smithing, weaving and textiles, sewing, advertising, enameling, stained glass, pottery, charts, graphs, visual aides and even formats for correspondence…)
* a way of making learning fun, practical and meaningful (through the process of designing and making an object the creator must decide which materials and techniques to use, thereby engaging in creative problem solving and discovery) skills taught have military applications.
* a way to acquire quality items and save money by doing-it-yourself (making furniture, gifts, repairing things …).
* a way to pursue college credit, through on post classes.
* a universal and non-verbal language (a picture is worth a thousand words).
* food for the human psyche, an element of morale that allows for individual expression (freedom).
* the celebration of human spirit and excellence (our highest form of public recognition is through a dedicated monument).
* physical and mental therapy (motor skill development, stress reduction, etc…).
* an activity that promotes self-reliance and self-esteem.
* the record of mankind, and in this case, of the Army.
What would the world be like today if this generally unknown program had not existed? To quantitatively state the overall impact of this program on the world is impossible. Millions of soldier citizens have been directly and indirectly exposed to arts and crafts because this program existed. One activity, photography can provide a clue to its impact. Soldiers encouraged to take pictures, beginning with WW II, have shared those images with family and friends. Classes in “How to Use a Camera” to “How to Develop Film and Print Pictures” were instrumental in soldiers seeing the results of using quality equipment. A good camera and lens could make a big difference in the quality of the print. They bought the top of the line equipment. When they were discharged from the Army or home on leave this new equipment was showed to the family and friends. Without this encouragement and exposure to photography many would not have recorded their personal experiences or known the difference quality equipment could make. Families and friends would not have had the opportunity to “see” the environment their soldier was living in without these photos. Germany, Italy, Korea, Japan, Panama, etc… were far away places that most had not visited.
As the twenty first century approaches, the predictions for an arts renaissance by Megatrends 2000 seem realistic based on the Army Arts and Crafts Program practical experience. In the April ‘95 issue of “American Demographics” magazine, an article titled “Generation X” fully supports that this is indeed the case today. Television and computers have greatly contributed to “Generation X” being more interested in the visual arts and crafts.
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How Far Has Computerised Music Come

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Research suggests that an average of 800 tracks are illegally making up every mp3 owners music download total. The claim is that it is the younger generation who are responsible as the study that revealed these findings was carried out on 14 to 24 year olds. Up to half of those surveyed admitted to sharing all the music on their hard drive allowing friends to copy up to 10,000 songs at a time.

These figures are gleaned from the fact that the average digital music player holds 1,770 songs and almost half of these are copied – illegal music downloads. For those aged 14 – 17, the incidence rose to 61 per cent and then at least one in seven of their CD’s also being copies.

A different, and perhaps the largest study of music download trends put the incidents of illegal copying of one form or another at 96 per cent. In an attempt to overcome this type of theft, record companies are attempting to encourage internet service providers to introduce new subscription based music services.

Maybe if the younger generation had nothing but the earliest form of computerised music to listen to they may hold back from stealing this type of music download.

The oldest known recordings of computer generated music have been unveiled in the form of a recording of Baa Baa Black Sheep and a version of In The Mood from the BBC that were recorded in the autumn of 1951 during a visit to the University of Manchester. Paul Doornbusch, a computer music composer and historian at the New Zealand School of Music believes it’s the earliest recording in the world of a computer playing music.

The previous oldest recordings were from Bell Labs in the US in 1957 on an IBM mainframe computer and this was when and where computer music really took off but neither of the above were truly the first to have computer music. This accolade goes to a machine called CSIRAC, Australia’s first digital computer, which treated its audience to a rendition of Colonel Bogey. It is thought this computerised music was heard months in advance of the Manchester recording but it can’t be found and therefore can’t be proved.

So, the earliest genuine record stays with the BBC whose outside broadcasting team had been at the University to record an edition of Children’s Hour.
Manchester was then home to the Ferranti Mark 1 which was the first commercially available general purpose computer. Word spread that this new fangled piece of technology could play music and a program was written, some say for playing chess that would be rounded off with a rendition of God Save The King but others insist the program was purely for playing music.

The recording of the Baa Baa Black Sheep is on acetate disc and makes for an interesting slice of history as the other conversations going on in the room at the same time can be heard also.

Manchester is happy to boast the fact that they are the centre of the computer generation. Baby was the label given to the forerunner of the Ferranti Mark 1 and was the first computer with the ability to hold memory and store programs. This memory was constructed from a Cathode Ray Tube and enabled scientists to program 1024 bits – which shows how far we have come with the billions of bits in today’s computers.

Music expert Catherine Harvey looks at the way music downloads have progressed since the early computers.

… a MP3 fruit free for you…!!! 🙂
digital music recording
Image by Denis Collette…!!!
You can download your fruit here:
www.paperbagrecords.com/mp3s/Monogrenade_Ce_soir.mp3

…last news… the first album "La saveur des fruits" of my son’s group "Monogrenade" was launched in a lot of countries in the world.
Paper Bag Digital: paperbagrecords.downloadcentric.net/app?page=Product&…

iTunes Canada: itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3…
USA: itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3…
France: itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3…
Belgique: itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3…
UK: itunes.apple.com/WebObjects/MZStore.woa/wa/viewAlbum?id=3…:

www.amazon.com/gp/product/B002C3L4P8?ie=UTF8&parent=B…:

www.play.com/Music/MP3-Download-Album/4-/10362120/La-save…

Store: www.store.limewire.com/store/app/pages/album/Album/produc…:
www.emusic.com/album/Monogrenade-La-saveur-des-fruits-MP3…:
meteli.net/downloads/levy/La-saveur-des-fruits/63929086

… an impressionnist photo safari concentrated mainly on a daily basis (or almost) on my small piece of planet of 55 000 square feet…!!!
… a Thoreau "waldennienne" approach…!!!

… un safari photo impressioniste au quotidien concentré essentiellement (ou presque) sur un petit morceau de planète de 55 000 pieds carrés…!!!
… une démarche "waldennienne" à la Thoreau…!!!

… now on twitter

When producing MIDI files or digital music, get a sound card that can reproduce sound and high quality connection wires. Learn about sounds cards for recording MIDI music in Cubase in this free digital music recording video.

Expert: Kini Knox
Bio: Kini Knox has been working with MIDI for eight years. He went to school for Audio Recording and Engineering.
Filmmaker: MAKE | MEDIA
Video Rating: / 5

2008 Top MP3 Players Picks

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Pink MP3 Players.net takes a look at the best consumer rated mp3 players of 2008 and gives you the straight scoop on whats hot. In this article we will take a look at some of the top consumer rated mp3 players to help you make a better decision in your purchsase of a new digital music player. The reviews have been split up into categories and will cover the best overall, the best value, the largest capacity, best bang for the buck and others. Let’s begin with the best budget MP3 player and then work our way up to the best overall player in all categories.

Best Bargain MP3 Player:

SanDisk Sansa Clip – This small mp3 player has received positive reviews from most major electronic review sources all over the globe. In the States alone it has got the most praise from the popular site CNet.com. PC magazine with their thorough back engineered reviews was overly positive of the SanDisk Sansa Clip. Equally positive results came in from Australia at GoodGear and the UK’s TrustedReviews.

People on the lookout for a great bargain in a new MP3 player sporting great sound and some good side features will be very pleased with the SanDisk Sansa Clip. It will be difficult to find a competitor for this small music player. Some of the high lites include great sound quality, which was a big surprise considering it’s small size and low price.

Other features that come in handy with the SanDisk Sansa Clip is an FM tuner in which you can record with the built in voice recorder. The Sansa Clip comes with a clip, hence the name, and is a great digital music player for the active type. The small OLED screen cannot display videos or photos, but makes is easy to navigate through the various menu and tracks.

Best Large Capacity MP3 Player:

Apple Ipod Classic – Apple has made some small changes the this excellent digital music player recently but many of the review sites have not updated their reviews. CNet and Macworld stood out and offered up some new opinions on the recent feature enhancements. Apple last year decided to take the Ipod Classic line down to only one model, but not before adding some cool new enhancements.

The add-ons were the genius feature to Itunes which will automatically create a 25 song playlist based on a song that is selected by the user. A voice recording feature has also been added to bring it up to speed with just about every other MP3 player on the market. The downside to the voice recording feature is that the Ipod doesn not have a built in mic, and will need a add-on. The Ipod Classic stays number 1 in the large capacity MP3 Player category.

Best Value MP3 Player:

SanDisk Sansa Fuze – For those of you are looking for a good alternative to the Apple Ipod Nano, this is the Digital Music player for you. Many reviewers have written their opinion on the SanDisk Sansa Fuze. All of the major review sites such as CNet.com, PC Magazine and PC World all provide testing-backed consumer reviews. Most people report that the SanDisk Sansa Fuze delivers on both quality sound and battery life.

The Ipod Nano’s video quality beat out the Sandisk Fuze and this was even overlooking the fact that you had to convert video files into a usable format with the included Fuze’s software. Other offerings were a Fm Tuner and digital voice recorder. A plus for the Fuze was its ability to have it’s memory extended with a memory card slot. Music stored on external cards were automatically incorporated into the users playlist. The SanDisk’s options and quality performance awarded it this position.

Best Overall Mp3 Player:

Apple Ipod Nano – You will find tons of reviews for the amazingly popular Apple Ipod Nano, all of the top reviewers have covered it. You will find detailed reviews at all of the major review sites such as CNet, Consumer Reviews and all of the PC Magazines. Some of the current updates include the Genius function that automates playlists using one song as a genre guide. Also a new shake to shuffle and a tilt sensor screen are cool new features.

The features still don’t match many of the competing Digital music players on the market such as an FM tuner. And there have been complaints of having to upgrade to the newest version of i-Tunes, since it is the only one that supports the Genius function. The Genius function also has to be activated within iTunes for it to work.

Apple and quality go hand in hand along with great customer service and support, Pink Mp3 Players.net agrees that if you want the best of the best, you will not go wrong with an Apple Ipod line of Digital MP3 players.

Reiko Soeda makes her living as a consumer reporter for a popular electronics magazine in Tokyo Japan. Read about 2008’s top Mp3 players in her post Pink Ipods . Reiko also is the author of the highly read blog Pink Mp3 Players .

Sunday afternoon music
digital music recording
Image by miss_yasmina
Last Friday night we went to get our healthy dose of electronic music at the winecellar of Malkasten where there was a Level Records DJ set – ohhhhh electronic music, how much do I love you? A LOT!

We got a couple of vinyl records when we left the party – forgot to ask for the code for the digital download but oh well, I had a listen on my vintage Philips record player (in need of a new needle, plus I am still sad that my Bang & Olufsen one broke)…

Related Digital Music Recording Articles

The New Age Music Producer

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Looking into the situation in the current music industry, a record producer (or music producer) can have a lot of roles. Among these roles may be task like, mentoring and guiding the artist or musicians, controlling the studio recording sessions, organizing and scheduling production budget and other music resources, and obviously one of the most important jobs of the producer was the supervising of the recording, and the mixing and mastering processes.

In the last 20 years the term producer has essentially taken on a new meaning in the music industry. More and more producers are taking a more entrepreneurial role or approach to the music business. This role has been enhanced part because of the recent evolution of digital music, specifically in the hip hop genre. In contemporary digital hip hop music, it is possible for the producer to be the only person involved in the creation of a musical record, album or recording. Today the producer can be responsible for writing, performing, recording and even arranging all the material for a song or album.

With the change and ever decreasing price of professional music software in the industry like FL Studio, Digidesign Protools, Cakewalk Sonar, and Steinberg Cubase, producers can recorded, compose, and arrange entire tracks and songs on a single bedroom computer and get very professional results. All the parts of music production that used to take almost an entire team of people to do, can now all be done by one person, the producer.

The hip hop music industry, for the most part, can be seen as a major beneficiary to the current trend of music technology price drops. People of all economic statuses are now able to have access to some of the best music production tools at very affordable prices. Having powerful semi-professional music software and equipment was almost unheard of about 15 to 20 years ago. Now people of all age group and demographics are able to make music from the comfort of their own homes or studios. Most basic music producers are even able to set up small studios in their basements or bedrooms and get very close to a professional quality recording or sound.

We really don’t know where technology is going to take us in the future of music, but all the current economic signs say the technology will continue to get cheaper by the day. Making it more and more affordable for any body wanting to get into the music production business to set up a studio from home and make professional sounding albums and recording.

M. Crawford is a music industry professional.
Go online to buy hip hop beats and buy rap beats from music producers who make hip hop instrumentals around the globe. Visit http://www.beatswagger.com

A Visit To Windmill Lane In Dublin
digital music recording
Image by infomatique
[Visit Photo Gallery]

Windmill Lane is covered in graffiti from fans who have paid pilgrimage from all over the world, many attracted by the studio’s historical connection with U2. Initially the graffiti was interesting but is now a terrible mess and the quality of the art is not as good as it was.

Windmill Lane Studios, also known as the "U2 studio", is a three-storey music recording studio located in Dublin, Ireland. It is located on Windmill Lane, a small street just south of City Quay and the River Liffey and a little north of Pearse Station. It was opened in 1978 by Brian Masterson who is a company director and head engineer. It was originally used to record traditional Irish music until U2 came along and began to record there. Prior to this, Irish rock bands such as Thin Lizzy or The Boomtown Rats carried out their recordings outside Ireland.

It is now boarded up, with the actual studios having moved elsewhere. Nevertheless, the studios are still a popular cult symbol and are regularly visited by tourists, particularly those originally from the United States.

Pulse Recording College recently took ownership of the studios. The college has previously sent students to work at Windmill Lane straight after graduation and these students have collaborated with 50 Cent, Bryan Adams, Moya Brennan, Donovan, Jon Bon Jovi and New Order.

The studio is no longer located on Windmill Lane, although it retains the name. Windmill Lane Studios has not been located on Windmill Lane for quite some time and the current facility was originally Ringsend Studios in Ringsend, Dublin 4. Plans to construct a six-storey office block on the old site led to criticism from local resident groups in early September 2008.

The studio remained empty from 2006 onwards, although reports circulated which linked Van Morrison with purchasing the studio for his own personal use that August. Morrison had previously recorded several albums there, including Back on Top, Magic Time and Pay the Devil. In January 2008, the studio was used to record "The Ballad of Ronnie Drew". In 2009, Pulse College took over Windmill Lane painstakingly renovating the studios which are internationally perceived as being at the heart of the Irish recording industry. The renowned multimedia college has now transformed the facilities with state-of-the-art equipment which encompasses not only 3 fully equipped recording studios, but also a creative hub for Digital Media Training in areas of Music Production, Film Production and Game Analysis and Design.

Setting up a MIDI sequencing studio requires some basic equipment and software. Learn about setup for recording MIDI music in Cubase in this free digital music recording video.

Expert: Kini Knox
Bio: Kini Knox has been working with MIDI for eight years. He went to school for Audio Recording and Engineering.
Filmmaker: MAKE | MEDIA

The Modern USB Turntable

Los Angeles Visit, Photowalk, Hans Zimmer, and Talks at Google and Stanford!

Digital music was introduced along with the rise of modern technology. But the lovers of old music frown at these modern inventions for they get to miss hearing the songs they used to love.

Transferring of your LP music to a computer is now possible with the introduction of USB turntables. You just have to plug the turntable through a USB port and use audio software such as Audacity and transfer all your collections. The USB turntable does not need any special drivers or gadgets.

This innovation is a fantastic device to vinyl lovers. It allows the compilations to be transferred to CDs or converted to MP3 for digital playback. Most of the USB turntables are full featured with fast recording capability, anti skip control and noise reduction. The USB turntable can also be plugged into a stereo for direct playback.

Since its introduction, the demand has increased and many DJs and other music enthusiasts have transferred their collection to their hard drives. USB turntables are the best thing that happened to them, and these devices vary in designs and features.

Let us look at the features and functions of some of the popular USB turntables in the market today.

USB Turntable w/ iPod Dock
This turntable allows the transfer of LP records directly to an iPod even without using a computer. This is quite easy with the built-in iPod dock of the unit. Just plug the iPod into its specific slot and play the vinyl of your choice and then press the record button.

Though it is designed for iPod connectivity, it can also be used alternatively with a computer. The Gracenote software is included for creating your own playlist for playback. This can also be hooked up with any sound system and directly play your favorite LP. This device is Plug and Play compatible with both Windows and Mac operating systems. It comes with complete cables for computer and stereo component connection.

Stanton T90 USB Turntable
The Stanton T90 is one of the most full featured among the turntables in the market. It is most favored by DJs who are searching for the best in quality audio. One of the features of the Stanton T90 is the software included. It is easy to use and can produce the best output quality.

Comparing to its predecessors, this turntable has the most feature which makes it an outstanding product for professional audio system. The T90 model has a well designed selector switch with a start and stop brakes. You can also control the speed of any song without affecting the pitch quality. The back portion consists of an RCA port, SPDIF coaxial port, on/off switch and the USB port for connectivity.

In terms of performance, the T90 turntable outperforms other models. The most significant in its performance is the sound quality it produces. The audio built-in card with the device is capable of recording with 16 bit at a quality of 44 kHz which can be increased to 48 kHz.

Since the Stanton T90 can be used for playback and recording, you can immediately play any of your digitized audio and know the results. A great advantage of this turntable is it can simultaneously mix any audio compilation from your computer and the turntable audio using the same output. This means you can combine analog and digital audio into one.

In terms of its design, this turntable has a sleek design with all its components placed in the most ideal locations. The chassis of the turntable is made up of high quality plastic. This is lighter than other models.

For more information on Turntable Stylus and Direct Drive Turntableplease visit our website.

Los Angeles Visit, Photowalk, Hans Zimmer, and Talks at Google and Stanford!
digital music recording
Image by Stuck in Customs
Los Angeles Photowalk, Sponsored by Bay Photo, evening of Jan 27!
You are all welcome to meet me at 4 PM on at the San Clemente pier! We will have a nice photowalk through sunset, which is around 5:20 PM. All skill levels, from beginner to master are welcome. A photowalk is just a laid-back event where we stroll around, take photos, and discuss the art of life and whatnot… I was considering giving a talk that night as well, but we don’t have a nearby venue in mind. Maybe one of you has an idea for this…

A big thanks to Bay Photo, who is sponsoring the event. I’m going to be looking deeply into their metal prints very soon and give you a full report.

If you want to come, please leave a comment at www.stuckincustoms.com/2010/01/23/los-angeles-visit-photo…

Hans Zimmer, we Must Meet!
Has anyone read Atlas Shrugged and remember the great composer therein named Richard Halley? One of the heroes of the book mysteriously follows him around the world… I envision this dream-state with Hans Zimmer. In fact, I have a most wonderful project in mind that would be unique and right up his alley.

I saw this Hans Zimmer Video Interview about his new Sherlock Holmes soundtrack. It was very interesting to hear him talk about this stuff… I have all of his music starred and in special playlists, depending on my mood… In fact, I made a Hanz Zimmer iTunes iMix there on the right for you of some of my favorites. On occasion, I meet a fellow photographer that also loves Hans, and we have an instant connection that is difficult to describe.

Look at Zimmer’s recording studio (Thanks @Tatorandtots for the link). Amazing. Of course, I could take a much better photo of it… but that is neither here nor there. My photography studio (only on paper for my upcoming home in New Zealand) will make a wonderful attempt to be a tiny bit cooler, only insofar as I want a window that looks at a beautiful landscape (which can be closed for absolute darkness whilst the post-processing is in full swing).

See my other mixes on Trey’s Music List – Coming up soon – Ambient New Age, World Music, and other unexpected things…

Speaking at Google HQ, Stanford, and errrrr – something in the "Cupertino area"
The topic is "The Unexpected Art and Science of HDR Photography".

Although I can’t discuss the latter, I can describe the talks I have at the Google HQ and Stanford. If you know someone at either institution, perhaps they can get you in. These are all closed, private events, but if you have some good Silicon Valley contacts, maybe you can make it happen. The presentation will be quite different than one might expect… I think it might prompt everyone to see the world from a slightly different perspective – I think we are finally getting to a spot where art and science can come back together in a natural way.

The talk at Google will be recorded in High Def and put on YouTube for the you all to see after everything gets edited together.
Daily Photo – California in the Morning
I woke up early one morning in the hotel to drive down to the seaside in San Luis Obispo to catch the sunrise. It’s really beautiful and peaceful there. I’m not really a morning person — this much should be known… more of a night-owl. But, maybe if I lived in California I might actually wake up early to catch the light of these sunrises.

I know I get many requests to be my assistant — but you don’t understand how bad it would be… I’d make you do things like wake up even before me, get me coffee, warm up the car, and all other sorts of things that you’d probably resent after a while… People seem to get over-enthusiastic about being my assistant, so I try to tell them bad things like this to dissuade them!

And below is a shot from a hotel I stayed in last time I was in LA… they have this cool outside firepit. I need more firepits in my life….

from the blog www.stuckincustoms.com

Many instruments work as MIDI controllers, like electric keyboards, drum machines and more. Learn about controls for recording MIDI music in Cubase in this free digital music recording video.

Expert: Kini Knox
Bio: Kini Knox has been working with MIDI for eight years. He went to school for Audio Recording and Engineering.
Filmmaker: MAKE | MEDIA

How To Mix Music Like A DJ

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Digital audio recording is a wonderful thing to understand and be able to teach your friends. Please do not even think about digital recording before you make sure that the music you are trying to record must be well composed and all the criteria has been met.

You will find that it would be incredibly helpful if you had a studio. If you do not please dont worry because it is possible to do it without it. Creating beautiful music is not simple. You need to make sure that your software is the kind that you need. It may be easier to create your music first then tweak it. The rhythm and tune of the song needs to be composed before you fix it.

The fact that the recording studios are not as easy to get, so you might need to think about the opening a home studio. That would allow you to record some of your lovable musical composition with a mixing music software. It gives you an easy way out of producing your music and hence can be extremely beneficial for you.

Learning about composing and producing music is as important as it get. Its very important that you know how to learn music and also to show and prove it in your music. This teaches you to handle your music in a excellent way and you would certainly appreciate the reward for a rewarding musical experience. Sometimes musical recording sessions can be terrible and annoying, but with proper training and composures you will be able to handle them all.

So then, what you are then waiting for, go for it. Compose your music today and start recording it with a mixing music software. The options available in the software are obviously immense. Practice through them and learn to familiarize with the features of the software. And get going to record your first session. Recording your composed music can be tricky but if you known how to record well, in a safe and healthy environment, you can record high quality music and with great effect. Noise free is a key to good recording and efficient playback. Make sure that your recording rooms are noise free and facilitated with all facilities.

This is an independant review of music software. 3dmagix3dmagix

A Visit To Windmill Lane In Dublin
digital music recording
Image by infomatique
[Visit Photo Gallery]

Windmill Lane is covered in graffiti from fans who have paid pilgrimage from all over the world, many attracted by the studio’s historical connection with U2. Initially the graffiti was interesting but is now a terrible mess and the quality of the art is not as good as it was.

Windmill Lane Studios, also known as the "U2 studio", is a three-storey music recording studio located in Dublin, Ireland. It is located on Windmill Lane, a small street just south of City Quay and the River Liffey and a little north of Pearse Station. It was opened in 1978 by Brian Masterson who is a company director and head engineer. It was originally used to record traditional Irish music until U2 came along and began to record there. Prior to this, Irish rock bands such as Thin Lizzy or The Boomtown Rats carried out their recordings outside Ireland.

It is now boarded up, with the actual studios having moved elsewhere. Nevertheless, the studios are still a popular cult symbol and are regularly visited by tourists, particularly those originally from the United States.

Pulse Recording College recently took ownership of the studios. The college has previously sent students to work at Windmill Lane straight after graduation and these students have collaborated with 50 Cent, Bryan Adams, Moya Brennan, Donovan, Jon Bon Jovi and New Order.

The studio is no longer located on Windmill Lane, although it retains the name. Windmill Lane Studios has not been located on Windmill Lane for quite some time and the current facility was originally Ringsend Studios in Ringsend, Dublin 4. Plans to construct a six-storey office block on the old site led to criticism from local resident groups in early September 2008.

The studio remained empty from 2006 onwards, although reports circulated which linked Van Morrison with purchasing the studio for his own personal use that August. Morrison had previously recorded several albums there, including Back on Top, Magic Time and Pay the Devil. In January 2008, the studio was used to record "The Ballad of Ronnie Drew". In 2009, Pulse College took over Windmill Lane painstakingly renovating the studios which are internationally perceived as being at the heart of the Irish recording industry. The renowned multimedia college has now transformed the facilities with state-of-the-art equipment which encompasses not only 3 fully equipped recording studios, but also a creative hub for Digital Media Training in areas of Music Production, Film Production and Game Analysis and Design.

Home Recording Equipment: Basics

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Once upon a time before home music studios were popular the only way to do any recording was to go to a professional music studio. The reason for this was equipment was expensive and only qualified professionals had the privilege to use the equipment. Lack of consumer recording equipment made recording at home nearly impossible.

Thank goodness that those days are now long over with, and you can now do your recording at home without the big equipment or high amounts of technical knowledge. This technologically advanced age of the digital world has enabled every musician, no matter how small and unknown, to lay down tracks in their own homes. Amazingly, you can get high quality results with very little gear and expense too.

A good place to start would be the computer. Whether using a desktop or laptop what is important is having USB inputs and firewire inputs. If for some reason you feel your computer needs updating, more RAM will help speed up audio processing and a good sound card, so you can get good quality sound into your computer.

With a computer ready you can now look into the many software programs available, remember to choose one that suits the type of recording you will do. there are so many types of home recording software, but they all do the same thing; they record, mix, edit and master audio. The key here is not to procrastinate, find a software that will work on your computer and start recording. Learning one type of home recording software will make it easy to use any piece of recording software.

The stock audio inputs an your computer are usually not the greatest quality. I recommend looking into audio interfaces, which is the next piece of the puzzle. Audio interfaces are external sound cards that connect to your computer by either USB or firewire. Audio interfaces have great mic preamps, midi inputs/outputs, line inputs and outputs for your computer speakers. Another great feature is they have professional grade connections using XLR and 1/4′ adapters, which will maintain sound quality. If you want to record midi then midi inputs/outputs are important and if you want to record your voice or instruments then microphone inputs and line inputs are important to you.

Another important piece of equipment to consider is the microphone you will be using. Here is where your research will really pay off, and here is where you want to pay out for the best you can possibly afford. Microphones and microphone preamps are the crucial link in quality recording, of course your skills as a musician also plays an enormous role. There you have it; a computer, software, audio interface, speakers and a microphone is all you need to get started. Once you understand and see for yourself how it all works you can add to your arsenal of home recording equipment.

Want to find out more about Home Music Studios, then visit Mosses Itkonen’s site on how to choose the best Home Recording Equipment for your needs.

Summer Here Kids no.118
digital music recording
Image by dek dav
Summer Here Kids no.118, by Grandaddy from their album Under the Western Freeway

Summer here kids
All of them awful lies
Tourist info said i’d have a good time
Do as I didn’t do because
I’m a picture of imdumbivinity
Stay alone put a record on
Listen to the songs keep yourself at home
Cause summer here kids
Summer here totally lies
Tourist info said i’d have a good time
Summer here kids
All of them awful lies
Tourist info said i’d have a good time
I’m not having a good time

Background texture image by D Sharon Pruitt www.flickr.com/photos/pinksherbet/sets/72157610551917961/
Sno-cone truck image by zombieite www.flickr.com/photos/zombieite/8792900958/in/photolist-e…
Click here youtu.be/os5k2M1KQxI to hear track
Click here songmeanings.com/songs/view/129991/ for full lyrics & meanings

My 365 art project, where I create a year’s worth [yep, 365] of digital collages, with indie songs as my subject.